By Jean Echenoz
The publication opens in 1928 as Maurice Ravel—dandy, eccentric, curmudgeon—crosses the Atlantic out of the country the luxurious liner the SS France to start his effective grand travel of the USA. A “master magician of the French novel” (The Washington Post), Echenoz captures the folly of the period in addition to its genius, together with Ravel’s own life—sartorially and socially splendid—as good as his such a lot profitable compositions from 1927 to 1937.
Illuminated via flashes of Echenoz’s regularly sly humor, Ravel is a delightfully quirky portrait of a well-known musician dealing with the ups and downs of his illustrious profession. it's also a superbly written novel that’s a deeply touching farewell to a dignified and lonely guy going reluctantly into the night.
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Extra resources for Ravel: A Novel
A extra literary minded American reader could locate, in its mixture of the pensive and unique, parallels with the paintings of Donald Bartheleme—and a Francophile reader may possibly locate to boot echoes of Jacques Tati’s form of sober-minded prolonged comedy, the place the consideration of the relevant determine is all that there's to maintain him from the absurd encroachments of the fashionable international. Whichever examining one chooses to make, Echenoz’s paintings is additionally a reminder of the nonetheless virtually inexhaustible assets of the French humanist culture to make writing come alive via a loving rendition of the outside of items. Adam Gopnik April 2007 ONE LEAVING the bath is typically rather tense. to begin with, it’s a disgrace to desert the soapy lukewarm water, the place stray hairs wind round bubbles one of the scrubbed-off epidermis cells, for the coolness surroundings of a poorly heated residence. Then, if one is in the least brief, and the facet of that claw-footed bathtub in the slightest degree excessive, it’s consistently a problem to swing a leg over the sting to think round, with a hesitant toe, for the slippery tile ground. warning is suggested, to prevent bumping one’s crotch or risking a bad fall. the answer to this concern will be after all to reserve a customized bath, yet that involves costs, maybe even exceeding the price of the lately put in yet nonetheless insufficient valuable heating. greater to stay submerged as much as the neck within the bathtub for hours, if now not eternally, utilizing one’s correct foot to periodically manage the hot-water tap, hence adjusting the thermostat to take care of a snug amniotic atmosphere. yet that can't final: time presses, as continually, and Hélène Jourdan-Morhange1 will arrive in the hour. So Ravel climbs out of his bath and, whilst dry, slips right into a dressing costume of a polished pearl-gray to wash his tooth along with his angle-headed toothbrush; shave with out lacking one whisker; comb each hair immediately again; pluck a obdurate eyebrow bristle that has grown in a single day into an antenna. subsequent, opting for a sublime satin-lined nail clipping case of most interesting “lizard-grained” child from one of the hairbrushes, ivory combs, and smell bottles at the dressing desk, he is taking good thing about the recent water’s softening impact on his fingernails to chop them painlessly to the right kind size. He glances out the window of the tastefully prepared toilet: underneath the naked timber, the backyard is black and white, the fast grass useless, the fountain paralyzed by way of frost. it really is early on one of many final days of 1927. Having slept little and poorly, as he does each evening, Ravel is in a nasty temper, as he's each morning, with no even an inkling of what to put on, which raises his sick humor. He climbs the steps of his small, complex residence: 3 tales, considered from the backyard, yet just one is seen from front. at the 3rd flooring, that is point with the road, he examines the latter from a corridor window to estimate the variety of layers enveloping passers-by, hoping to get a few concept of what to place on. however it is way too early for the city of Montfort-l’Amaury.